|
Collin
Theatre Center |
|
Please contact Brad
Baker with questions regarding use of all documents
|
| 2009: |
| BIG RIVER, by Roger Miller and William Hauptman; from the novel by Mark Twain |
| DON JUAN IN CHICAGO, by David Ives |
| SHAKESPEARE, TBA |
| 2008: |
| BIG LOVE, by Charles L. Mee |
| BLITHE SPIRIT, by Noel Coward |
| THE COMEDY OF ERRORS, by William Shakespeare |
| LI'L ABNER,
by Gene DePaul and Johnny Mercer, with Norman
Panama and Melvin Frank; Based on the comic strip characters created by Al Capp |
| ONE SHOT, ONE KILL, by Richard Vetere (Regional Premiere) |
| THE RUBY SUNRISE, by Rinne Groff (Regional Premiere) |
| 2007: |
| ALL'S WELL THAT ENDS WELL, by William Shakespeare |
| COLUMBINUS, by Stephen Karam and P.J. Paparelli, with the United States Theatre Project (Regional Premiere) |
| DON'T ROCK THE JUKEBOX, an interactive musical revue written and directed by Brad Baker and Mark Mullino |
| FLAMING GUNS OF THE PURPLE SAGE, by Jane Martin (Regional Premiere) |
| HOW I LEARNED TO DRIVE, by Paula Vogel |
| MY THREE ANGELS, by Sam and Bella Spewack; Based on La Cuisine Des Anges by Albert Husson |
| 2006: |
| LIGHT UP THE SKY, by Moss Hart |
| A MIDSUMMER NIGHT'S DREAM, by William Shakespeare |
|
THE MISTRESS OF THE INN,
by Carlo Goldoni; translated by Carmela Lamberti, adapted for the stage by Robin Armstrong and Shannon Kearns-Simmons |
| ORPHEUS DESCENDING, by Tennessee Williams |
| THE ROCKY HORROR
(PUPPET) SHOW, music, lyrics and book by Richard
O'Brien; with puppetry conceived by James Ortiz, Brad Baker, Dane Hoffman and Rusty Tennant |
| TWO ROOMS, by Lee Blessing |
| THE VAGINA MONOLOGUES 2006, by Eve Ensler |
| 2005: |
| BAT BOY: The Musical, by Keythe Farley, Brian Flemming and Laurence O'Keefe |
| THE BEAUTY QUEEN OF LEENANE, by Martin McDonagh |
| THE EXONERATED, a docu-drama by Jessica Blank and Erik Jensen |
| HANDLER, by Robert Schenkkan |
| SEASON'S GREETINGS, by Alan Ayckbourn |
| TWELFTH NIGHT; or What You Will, by William Shakespeare |
| THE VAGINA MONOLOGUES 2005, by Eve Ensler |
| 2004: |
| ALIEN VOICES, a "live" holiday radio show |
| THE HORTON FOOTE TRILOGY: Courtship / Valentine's Day / 1918, by Horton Foote |
| OUT!, a docu-drama written and performed by The OUT! Theatre Collective |
| PERFORMANCE ART PROJECT
2004, conceived and
created by Shannon Kearns and the Performance Art Project Ensemble (World Premiere) |
| REFUGE, by Jessica Goldberg |
| ROMEO
/ JULIET: A Hip-Hop Tragedy, by William Shakespeare;
adaptation by Matt
Tomlanovich, with original music composed by John "20" Carrington |
| THE SHAPE OF THINGS, by Neil LaBute (Area Premiere) |
| THE TIME OF YOUR LIFE, by William Saroyan |
| THE VAGINA MONOLOGUES 2004, by Eve Ensler |
| 2003: |
| ASSASSINS, music and lyrics by Stephen Sondheim, book by John Weidman |
| BABY, music by David Shire, book by Sybille Pearson, and lyrics by Richard Maltby, Jr. |
| BOY GETS GIRL, by Rebecca Gilman |
| THE COMPLEAT WORKS OF WLLM SHKSPR (abridged), by Adam Long, Daniel A. Singer and Jess Winfield |
| JULIUS CAESAR, by William Shakespeare |
| 2002: |
| A CLOCKWORK ORANGE, by Anthony Burgess, adapted for the stage by Brad Baker, with original music by Deborah Peer (World Premiere) |
| THE LEARNED LADIES, by Moliere |
| ONE FLEW OVER THE CUCKOO’S NEST, by Dale Wasserman, based on the novel by Ken Kesey |
| SIDE MAN, by Warren Leight (Regional Premiere) |
| TITUS ANDRONICUS, by William Shakespeare |
| 2001: |
| ALIEN VOICES, by Leonard Nimoy and John DeLancie (Regional Premiere of live "radio play") |
| BEAU JEST, by James Sherman |
| PERFORMANCE ART PROJECT, created by Shannon Kearns and the Performance Art Project Ensemble (World Premiere) |
| THE RIMERS OF ELDRITCH, by Lanford Wilson |
| SONGS FOR A NEW WORLD, music and lyrics by Jason Robert Brown |
| YERMA, by Federico Garcia Lorca |
| 2000: |
| DON’T ROCK THE JUKEBOX, by Brad Baker, James McQuillen and Jennifer Laws (World Premiere of an interactive musical revue) |
| FourPLAY 2000, an evening of one-act play World Premieres; including Noodling, Touch and Go, and Heaven by Vicki Cheatwood; and Sketches and Strings by Jason Stuart |
| MACBETH, by William Shakespeare |
| subUrbia, by Eric Bogosian |
| 1999: |
| GYPSY, music by Jule Styne, book by Arthur Laurents, lyrics by Stephen Sondheim |
| LOCKED AWAY, an evening of one-act plays; including Sweet Eros by Terrence McNally, and Through a Glass Onion by Jason Stuart - (World Premiere) |
| A NEW BRAIN, music, book and lyrics by William Finn, with additional book material by James Lapine (Regional Premiere) |
| OLEANNA, by David Mamet |
| THE THREE SISTERS, by Anton Chekhov |
| THROUGH A GLASS ONION, by Jason Stuart |
| 1998: |
| THE APPLE TREE, music by Jerry Bock, book and lyrics by Sheldon Harnick |
| BLACK COMEDY, by Peter Shaffer |
| BURIED CHILD, by Sam Shepard (Regional Premiere of the revised version) |
| THE DIRECTING PROJECT, an evening of one-acts; including Ancient History by David Ives, The Investigation by Peter Weiss, and a play without words created by Felica Wilems - World Premiere |
| GOD’S COUNTRY, by Steven Dietz |
| SYLVIA, by A.R. Gurney |
| 1997: |
| FourPlay ‘97, an evening of one-act plays, including Stage Directions by Israel Horovitz, Big Al by Bryan Goluboff, The Actor’s Nightmare by Christopher Durang, and The Former One-on-One Basketball Champion by Israel Horovitz |
| THE HEIRESS, by Ruth and Augustus Goetz |
| LAUGHTER ON THE 23rd FLOOR, by Neil Simon |
| STILL LIFE, by Emily Mann (Regional Premiere) |
| YOU CAN’T TAKE IT WITH YOU, by Moss Hart and George S. Kaufman |
| 1996: |
| ALL IN THE TIMING, by David Ives |
| AS IS, by William M. Hoffman |
| BRAM STOKER'S "DRACULA", adapted for the stage by W.D. Richter, Gregory W. Isaacson and Brad Baker (World Premiere) |
| PICNIC, by William Inge |
| 1995: |
| THE FOREIGNER, by Larry Shue |
| THE HOUSE OF BLUE LEAVES, by John Guare |
| STAND-UP TRAGEDY, by Bill Cain, with music by Bill DeMain (Regional Premiere) |
| THE THREE MUSKETEERS, by Alexandre Dumas, adapted for the stage by David Richmond and Brad Baker (World Premiere) |
| 1994: |
| BABY, music by David Shire, book by Sybille Pearson, and lyrics by Richard Maltby, Jr. |
| Beep... BANG!, by Theatre Outreach Collective (World Premiere) |
| EXECUTION OF JUSTICE, by Emily Mann |
| THE FOX, by Yoshitaka Asama; a traditional Japanese drama created and produced by the GEN Theatre Company of Tokyo (American Premiere) |
| KRINGLE'S WINDOW, by Mark Medoff (Regional Premiere) |
| THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE, by Jane Wagner |
| STEFANIE HERO, by Mark Medoff (Regional Premiere) |
| 1993: |
| DRIVING MISS DAISY, by Alfred Uhry |
| THE HANDS OF ITS ENEMY, by Mark Medoff (Regional Premiere) |
| HEAVEN CAN WAIT, by Harry Segall |
| LOST IN WUNDERLAND, by Brad Baker and Lynn Zednick (World Premiere) |
| THE MAN WHO CAME TO DINNER, by Moss Hart and George S. Kaufman |
| ROMEO AND JULIET, by William Shakespeare |
| TERRA NOVA, by Ted Tally |
| 1992: |
| A CHRISTMAS CAROL?, by Charles Dickens, adapted for the stage by Brad Baker; with original music by Bill DeMain, Deborah Evans, Brad Baker, Mark Carpenter, and Steven Curtis Chapman (World Premiere) |
| THE IMAGINARY INVALID, by Moliere |
| NOISES OFF, by Michael Frayn |
| THE REAL QUEEN OF HEARTS AIN’T EVEN PRETTY, by Brad Bailey |
| 1991: |
| BULLY, by Paul D’Andrea |
| CHAMBER MUSIC, by Arthur Kopit |
| FOOL FOR LOVE, by Sam Shepard |
| THE TRAGICAL HISTORY OF DOCTOR FAUSTUS, by Goethe |
| 1990: |
| BETRAYAL, by Harold Pinter |
| QUILTERS, music, book and lyrics by Molly Newman and Barbara Damashek |
| 1989: |
| NOT YET CHEESE, an evening of scenes inspired by Feiffer’s People by Jules Feiffer |
| TARTUFFE, by Moliere |
