| DRAM 1120 |
Theatre Practicum-Performance |
1 cr |
Baker |
|
Practicum in theatre with emphasis on performance techniques and
procedures, including a major performance role in a college production.
Flexible enrollment. Consent of
Instructor required.
Note: Students
may take DRAM 1120 and DRAM 1121 for a combined total of no more than 6
credit hours.
Syllabus. |
| DRAM 1121 |
Theatre Practicum-Technical |
1 cr |
Erickson/Hull |
|
Practicum in theatre with emphasis on theatre techniques and procedures,
including major technical responsibilities in the production of a
college play. Flexible enrollment.
Consent of Instructor Required.
Note: Students
may take DRAM 1120 and DRAM 1121 for a combined total of no more than 6
credit hours.
Syllabus. |
| DRAM 1161 |
Musical Theatre
Workshop I |
1 cr |
Baker |
|
Study and performance of works in the musical
theatre repertoire. Syllabus. |
| DRAM 1162 |
Musical Theatre Workshop II |
1 cr |
Baker |
|
A continuation of Musical Theatre Workshop I.
Developing advanced techniques in presenting works from the musical
theatre repertoire. Syllabus. |
| DRAM 1310 |
Introduction to the Theatre |
3 cr |
Staff |
|
Satisfies Academic Core requirement for A.A. degree under
“Visual/Performing Arts.” Various aspects of world
theatre are surveyed. Emphasis is on types of plays, directing,
acting, theatre history and theatrical production. Will transfer as a
Fine Arts credit to most colleges and universities
nationwide. Lab required.
Syllabus. |
| DRAM 1322 |
Stage Movement |
3 cr |
Kearns-Simmons |
|
An introductory study of the concepts of preparing and
performing a role on stage with specific emphasis on the actor's
physicality and stage movement. This course will examine techniques of
stage movement, to include mask and mime work, yoga, dance, the
Alexander technique, Laban and LeCoq movement techniques. Lab required. Syllabus. |
| DRAM 1323 |
Basic Theatre Practice:
New York Theatre Field Studies |
3 cr |
Baker |
|
The purpose of this course is to introduce students
first-hand to the performance, practice and theory of the New York
professional theatre. The diverse methodology of this course includes
lecture/discussions with working theatre professionals in New York (i.e.
actors, directors, designers, theatre managers and company managers);
attendance at Broadway and Off-Broadway plays and musicals;
observation/discussion of a Broadway play in rehearsal; and field trips
to the professional training programs of New York University, Marymount
Manhattan College and the Juilliard School of Drama. Students must also
enroll in the New York Theatre Field Studies program.
Prerequisite: Consent of Instructor required. Contact the Theatre Department for more information
regarding the New York Theatre Field Studies class. |
| DRAM 1323 |
Basic Theatre Practice: Directing |
3 cr |
Armstrong |
|
Examines the art of directing for the stage, including the
composition, picturization, style, form and structure of staging a play.
Students will direct scenes and one-act plays. Lab required.
Syllabus. |
| DRAM 1330 |
Stagecraft I |
3 cr |
Erickson |
| Study and application of the visual
aesthetics of stagecraft; which may include the physical theatre, scenery
construction and painting, properties and lighting. Lab required.
Syllabus. |
| DRAM 1341 |
Theatrical Makeup |
3 cr |
Pharr |
| Study and application of visual aesthetics
in theatrical makeup; including the fundamentals of stage makeup,
character makeup, corrective techniques, beards, mustaches, and
three-dimensional makeup. Lab required.
Syllabus. |
| DRAM 1342 |
Introduction to Costuming |
3 cr |
Armstrong |
| Introduction to constructing costumes for
theatrical productions. Students will gain an appreciation of the art of
costuming and a sense of fashion history, and will understand how the
costume fits into the total concept and production of the play.
Lab required.
Syllabus. |
| DRAM 1351 |
Acting I |
3 cr |
Baker / Cronauer |
| Introduction to the art of acting;
including body control, voice, pantomime, interpretation,
characterization and stage movement.
Development of basic skills and techniques of acting including
increased sensory awareness, ensemble performing, character analysis,
and script analysis. Emphasis is on the mechanics of voice, body,
emotion, and analysis as tools for the actor.
Includes group improvisation, monologue and scene work.
Lab required.
Syllabus. |
| DRAM 1352 |
Acting II |
3 cr |
Cronauer |
| Advanced acting, with emphasis on script
analysis, complex characterization, ensemble acting and stylized acting
in period plays. Prerequisite: DRAM 1351 or consent of instructor. Lab required.
Syllabus. |
| DRAM 1370 |
Stage Management |
3 cr |
Armstrong |
| Examines the art of stage managing a play
production, including rehearsal preparations, performance
responsibilities, and production process documentation. Includes
intensive examination of the fundamental duty of a successful stage
manager; coordinating and facilitating each of the participants in the
theatrical process, to include performers, directors, designers, and
technicians. Lab
required. Syllabus. |
| DRAM 2170 |
*Demonstration Lab* |
1 cr |
Baker |
| Scenes, techniques and problems studied in
various theatre classes are demonstrated to show contrast and different
styles. Guest lectures, demonstrations and projects in Acting and
Directing may also be presented. Preparation and performance in the
demonstration laboratory may be related to specific productions.
*Required for all Theatre majors.* Note: This
course may be repeated for credit for a maximum total of 4 credit hours.
Syllabus. |
| DRAM 2331 |
Stagecraft II |
3 cr |
Erickson |
| The advanced study and application of the
visual aesthetics of design; which may include the physical theatre,
scenery construction and painting, properties, sound and lighting.
Lab
required.
Syllabus. |
| DRAM 2336 |
Voice and Diction |
3 cr |
Staff |
| Intensive work in the improvement of voice
through exercises to develop resonance, range, flexibility, intensity
and control of voice. This is a vital course for all aspiring actors.
Syllabus. |
| DRAM 2351 |
Acting III: Improvisation |
3 cr |
Kearns-Simmons |
| General introduction to the techniques,
practice and performance of improvisational drama. Body control, voice,
pantomime, characterization and stage movement are all included.
Lab required. Syllabus. |
| DRAM 2352 |
Acting IV: Acting for Film and Television |
3 cr |
Cronauer |
| Intensive examination of skills and
techniques necessary for successful performances in film and television.
Practical
application through in-class exercises and assigned projects.
Prerequisites:
DRAM 1351 or Consent of
Instructor. Lab required.
Syllabus. |
| DRAM 2361 |
History of Theatre I |
3 cr |
Snyder |
|
Satisfies Academic Core requirement for A.A. degree under
“Visual/Performing Arts.” An historical
investigation of the world theatre and dramatic literature from ancient
Greece through 1800.
Note: Students
may take DRAM 2361, DRAM 2362, and DRAM 2363 for a combined total of no
more than 6 credit hours.
Syllabus. |
| DRAM 2362 |
History of Theatre II |
3 cr |
Snyder |
|
Satisfies Academic Core requirement for A.A. degree under
“Visual/Performing Arts.” An historical
investigation of the world theatre and dramatic literature from 1800 to
the present.
Note: Students
may take DRAM 2361, DRAM 2362, and DRAM 2363 for a combined total of no
more than 6 credit hours.
Syllabus. |
| DRAM 2363 |
History of Musical Theatre |
3 cr |
Baker |
|
A study of the forms and structures of the American
musical theatre from its earliest forms through the present day. This
uniquely American theatre form is traced from The Black Crook and early
operetta through the turn-of-the-century poets of Tin Pan Alley to the
current scene on Broadway. Representative musical scores and books are
reviewed.
Note: Students
may take DRAM 2361, DRAM 2362, and DRAM 2363 for a total of no more than
6 credit hours.
Syllabus. |
| DRAM 2366 |
History of Film Making I |
3 cr |
Perry |
| Investigates the history of motion pictures
and its effect on our society as well as its contributions to our
culture. Covers the period of 1890-1949. Emphasis on the cinema as an
art form. Lab required. Syllabus. |
| DRAM 2367 |
History of Film Making II |
3 cr |
Perry |
| Investigates the history of motion pictures
and its effect on our society as well as its contributions to our
culture. Covers the period of 1950-present. Emphasis on the cinema as an
art form. Lab required.
Syllabus. |
| DRAM 2370 |
Theatre Outreach |
3 cr |
Baker |
| An in-depth study of the concepts of
dramatic playwrighting, production and performance, combined with an
intensive study of current issues in sociology. Students will research,
write and produce plays which highlight and depict the social concerns
of contemporary youths. This course is repeatable with
permission of the instructor. Prerequisite: Consent of Instructor. Lab
required. Syllabus. |
| DRAM 2372 |
Script Analysis |
3 cr |
Baker |
| An investigation of dramatic structure from
the points of view of the director, actor, playwright and designer.
Emphasis is on theory and criticism of theatre arts. Through the study
of selected plays from various styles and periods in theatre history,
students will learn techniques for analyzing, interpreting and
conceptualizing play structure in a manner vital for all theatre
artists. Script selections will vary each semester.
Lab required.
Syllabus. |
| DRAM 2373 |
Practical Costuming |
3 cr |
Armstrong |
| Introduction to fundamentals of costume
studio management, theatrical sewing techniques, theatrical supplies and
fabrics, painting and dyeing, costume properties and accessories, design
preparation methods, personnel and the process of developing costumes
for theatrical productions.
Lab required.
Syllabus. |
| DRAM 2375 |
Fundamentals of Stage Lighting |
3 cr |
Staff |
| An introductory course that explores the
use of light as an artistic medium in theatrical productions. This
course acquaints students with the equipment, design elements, and
conceptual processes employed in lighting design and implementation.
Students will gain practical experience in laboratory and production
settings. Lab required.
Syllabus. |
| DRAM 2376 |
Stage Combat and Circus Skills |
3 cr |
Armstrong |
| Development of advanced specialty skills
and techniques of acting. The student will focus on the awareness and
development of the mechanics of the body as a tool for the actor; with
emphasis on stage fighting, circus skills, stage stunt work and on
complex stage combat techniques and choreography. The course also
includes an instructional component, where the student will teach and/or
direct staged fight scenes.
Prerequisite: Consent of Instructor. Lab required.
Syllabus. |
| DRAM 2377 |
Shakespeare on Stage (Acting
Shakespeare) |
3 cr |
Cronauer / Zipay |
| Students will explore the unique demand of
performing Shakespeare's plays; discovering how to make language a physical
experience for both actor and audience. Using exercises, improvisations and
Shakespeare's texts, students will discover the meaning, music and power of
his words and how to create living characters that will engage the audience
in a dynamic theatrical experience. Lab
required.
Syllabus. |
| DRAM 2389 |
Academic Co-op Drama |
3 cr |
Staff |
|
Integrates on campus study with practical
hands-on work experience in drama. In conjunction with class seminars, the
student will set specific goals and objectives in the study of drama.
3 credit hours. For more information, contact the Co-Operative Work Experience
(CWE) office at 972 881-5735. |
| Course TBA |
Business of Theatre |
3 cr |
Baker |
|
Business
of Theatre is a foundational course in the art of promotion/marketing
for the arts. Students will discuss and create plans for self-promotion
(actors, choreographers, directors, designers, composers, technicians),
as well as individual event promotion and “season” promotion/marketing.
Unions and union contracts are examined, along with the various
processes and techniques for graphic arts marketing. 3 credit hours. (Formerly BUSI 2379) Syllabus. |